Text 3
Over the last twenty years, scholarly and popular writers have analyzed and celebrated the worlds of leisure and entertainment in the burgeoning cities of mid-nineteenth-century America, greatly expanding the literature on these subjects. They have found an enthusiastic readership by offering glimpses of modes of leisure, performance, and charlatanism that passed from the scene in the early 20th century, indicating how lively they were and how comparatively impoverished our own entertainment choices have become in an era dominated by corporate electronic media.
Many scholars have been lured into a fascination with the extinct demimonde of dime museums, exhibition hails, saloons, and industrial exhibitions. During this period entertainment relied upon artful deception, comparable in importance to such contemporary forms of amusement as minstrelsy and melodrama. The cultural activities were forms of representational play in which spectators are caused
A. melodrama.
B. double consciousness.
C. electronic media,
D. artful deception.
Text 3
Over the last twenty years, scholarly and popular writers have analyzed and celebrated the worlds of leisure and entertainment in the burgeoning cities of mid-nineteenth-century America, greatly expanding the literature on these subjects. They have found an enthusiastic readership by offering glimpses of modes of leisure, performance, and charlatanism that passed from the scene in the early 20th century, indicating how lively they were and how comparatively impoverished our own entertainment choices have become in an era dominated by corporate electronic media.
Many scholars have been lured into a fascination with the extinct demimonde of dime museums, exhibition hails, saloons, and industrial exhibitions. During this period entertainment relied upon artful deception, comparable in importance to such contemporary forms of amusement as minstrelsy and melodrama. The cultural activities were forms of representational play in which spectators are caused
A. it doesn't have enough charlatanism.
B. it is controlled by corporate electronic media.
C. there is a lack of vigor in current entertainment.
D. people's tastes have changed for the worse.
Text 1
Over the last decade, demand for the most common cosmetic surgery procedures, like breast enlargement and nose jobs, has increased by more than 400 percent. According to Dr. Dui Davies, of the Plastic Surgery Partnership in Hammersmith, the majority of cosmetic surgery patients are not chasing physical perfection. Rather, they are driven to fantastic lengths to improve their appearance by a desire to look normal. "What we all long for is to look normal, and being normal is what is prescribed by the advertising media and other external pressures. They give us perception of what is physically acceptable and we feel we must look like that."
In America, the debate is no longer about whether surgery is normal; rather, it centers on what age people should be before going under the knife. New York surgeon Dr. Gerard Imberre commends "maintenance" work for people in their thirties. "The idea that waiting until one needs a heroic tran
A. being physically healthy.
B. looking usual.
C. investing for life.
D. improving appearance.
Text 1
Last November, engineers in the healthcare division of GE unveiled something called the "Light Speed VCT", a scanner that can create a startlingly good three-dimensional image of a beating heart. This spring Staples, an American office-supplies retailer, will stock its shelves with a gadget called a "wordlock", a padlock that uses words instead of numbers. The connection In each case, the firm’s customers have played a big part in designing the product.
How does innovation happen The familiar story involves scientist in academic institutes and R&D labs. But lately, corporate practice has begun to challenge this old, fashioned notion. Open source software development is already well-known. Less so is the fact that Bell, an American bicycle helmet maker, has collected hundreds of ideas for new products from its customers, and is putting several of them into production. Not only is the customer king: now he is market-resear
A. are eminent in a specific field.
B. are known to have invented new products.
C. lead the research teams of the corporations.
D. purchase the companies new products consistently.
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