Passage 3
Many a young person tells me he wants to be a writer. I always encourage such people, but I also ex plain that there’ s a big difference between "being a writer" and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at a typewriter. "You’ ye got to want to write," I say to them, "not want to be a writer."
The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by for tune there are thousands more whose longing is never rewarded. When ! left a 20-year career in the U. S. Coast Guard to become a freelance writer (自由撰稿人), I had no prospects at all. What I did have was a friend who found me my room in a New York apartment building. It didn’ t even matter that it was cold and had no bathroom. I immediately bought a used manual typewriter and felt like a genuine writer.
After a year or so, however, I still had
A. who think too much of the dark side of life
B. who regret giving up their career halfway
C. who think a lot without making a decision
D. who are full of imagination even upon death
Passage 3 Many a young person tells me he wants to be a writer. I always encourage such people, but I also ex plain that there’ s a big difference between "being a writer" and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at a typewriter. "You’ ye got to want to write," I say to them, "not want to be a writer." The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by for tune there are thousands more whose longing is never rewarded. When ! left a 20-year career in the U. S. Coast Guard to become a freelance writer (自由撰稿人), I had no prospects at all. What I did have was a friend who found me my room in a New York apartment building. It didn’ t even matter that it was cold and had no bathroom. I immediately bought a used manual typewriter and felt like a genuine writer. After a year or so, however, I still hadn’ t gotten a brea
A. warn young people of the hardships that a successful writer has to experience
B. advise young people to give up their idea of becoming a professional writer
C. show young people it' s unrealistic for a writer to pursue wealth and fame
D. encourage young people to pursue a writing career
Many a young person tells me that he wants to be a writer. I always encourage such people, but I explain that there’s a big difference between "being a writer" and writing. In most cases these individuals are dreaming of wealth and fame, not of the long hours at a typewriter, "You’ve got to want to write, "I say to them, "not want to be a writer."
The reality is that writing is typically a lonely, private and low-paying affair. For every writer kissed by fortune there are thousands more whose longing is never rewarded. When I left a 20year career in the US Coast Guard to become a freelance writer (自由撰稿人), I had no prospects at all. What I did have was a friend who was fond of me and so supplied my room in a New York apartment building. It was cold and had no bathroom; I bought a used manual typewriter and felt like a genuine writer.
After a year or so of this existence, however, I still hadn’t gotten a break
A. He wasn't able to produce a single book.
B. He hadn't seen a change for the better.
C. He wasn't able to rest for the whole year.
D. He found out his dream would never come tru
我来回答:
