Back in the .16th century, political plays were all about men. Not now. For some time, American female playwrights have followed the (1) of Wendy Wasserstein, a 50-year-old Brooklyn-born dramatist, whose work has focused (2) family drama and personal (3) . Overtly political plays were considered (4) and unfashionable. But this is no longer so often the (5) .
A new generation of female playwrights (6) tackling such subjects (7) racism, rape and apartheid. The quality of these plays has varied (8) . The best (9) their subjects with nuance and subtlety, while it is the more controversial pr6ductions (10) fall flat. With topical issues now the stuff 0fshallow, made-for-television movies, audiences are looking to the theatre for something more (11) .
Rebecca Gilman’s previous play, "Spinning into Butter", dealt with white racism in academia; her current drama, "Boy Gets Gi
A. is
B. are
C. was
D. were
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