The first performance of Tchaikovsky’s The Nutcracker, in St. Petersburg in 1892, was a flop. Wrote one critic the next day: "For dancers there is rather little in it; for art absolutely nothing, and for the artistic fate of our ballet, one more step downward." Two decades passed before another production was attempted.
A century later, the ballet constitutes the single biggest fine-arts moneymaker in the United States, which has claimed the ballet as its own. In 1996, box-office receipts for some 2,400 American performances of the work by more than 20,000 dancers totaled nearly U.S. $50 million. Despite the ballet’s popularity, however, few Americans are aware of its history—or of some of the twists and turns of fate that have changed it from its original form.
Choreographer Maurice Petipa (known as the "father of classical ballet") prepared the first production for Tchaikovsky in 1892. He based his scenario not on the macabr
A. Many of the characters in these stories were peculiar.
B. Several ballets were based on his stories.
C. There were operas adapted according to his stories.
D. Most of the stories were sinister in nature.
{{B}}
First
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