[单项选择]The study of literary influence among women writers has frequently adopted a model of sororal or matrilineal sharing in an often explicitly stated contrast to Harold Bloom’s well-established theory of the "anxiety of influence" besetting male writers. In Bloom’s powerfully influential vision, that anxiety is posed as a kind of Freudian agon of sons against fathers, a struggle of self-definition through resistance and mastery. Feminist critics have generally agreed with the Bloomian model as applied to male authors but have demurred with respect to women writers, whom we have tended to see in familial terms. The model of a separate women’s tradition in literature, its inner coherence maintained by resistance to male dominance, that was posited in the 1970s by Ellen Moers, Elaine Showalter, and Sandra M. Gilbert and Susan Gubar has been widely accepted. As Betsy Erkkila points out, these groundbreaking feminist critics may not have significantly challenged the Bloomian model as applied t
A. Freud and Bloom: Father and Son
B. Erkkila and Williams: Mother and Daughter
C. Fathers and Sons: The Limits of Literary Theory
D. Mothers and Daughters: The Limits of Literary Theory