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发布时间:2023-10-22 23:10:32

[单项选择]  Feminist critics have long debated the extent to which gender plays a role in the creation and interpretation of texts. Androgynist poetics, rooted in mid-Victorian women’’s writing, contends that the creative mind is sexless, but Line from the 1970s on, many feminist critics rejected the idea of the genderless mind, finding that the imagination cannot evade conscious or unconscious structures of gender which is part of culture-determination where separating imagination from the self is impossible.   The Female Aesthetic, expressing a unique female consciousness in literature, spoke of the "female vernacular, the Mother Tongue, a powerful but neglected women’’s culture." Virginia Woolf discusses how a woman writer seeks within herself "the pools, the depths, the dark places where the largest fish slumber," inevitably colliding against her own sexuality to Confront "something about the body, about the passions." Accessible to men and women alike, but representing female sexual morpho
A. A Historical Overview of Feminist Literary Criticism
B. Oedipus and Lais: The Struggle between Masculine and Feminine Texts
C. The Precarious Feminist Compromise in Politics and Art
D. A New Theory of Literary Criticism
E. Establishing New Feminist Concepts of Gender

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[单项选择]  Feminist critics have long debated the extent to which gender plays a role in the creation and interpretation of texts. Androgynist poetics, rooted in mid-Victorian women’’s writing, contends that the creative mind is sexless, but Line from the 1970s on, many feminist critics rejected the idea of the genderless mind, finding that the imagination cannot evade conscious or unconscious structures of gender which is part of culture-determination where separating imagination from the self is impossible.   The Female Aesthetic, expressing a unique female consciousness in literature, spoke of the "female vernacular, the Mother Tongue, a powerful but neglected women’’s culture." Virginia Woolf discusses how a woman writer seeks within herself "the pools, the depths, the dark places where the largest fish slumber," inevitably colliding against her own sexuality to Confront "something about the body, about the passions." Accessible to men and women alike, but representing female sexual morpho
A. Ⅰ only
B. Ⅱ only
C. Ⅰ and Ⅲ only
D. II and Ⅲ only
E. Ⅰ, Ⅱ, and Ⅲ
[单项选择]  Feminist critics’’have often pondered whether a postmodern language may be articulated that obviates the essentialist arrogance of much modernist and some feminist discourse and does not reduce feminism to silences or a purely negative and reactionary stance. This ideal may be actualized in a discourse that recognizes itself as historically situated, ’’ as motivated by values and, thus, political interests, and as a human practice without transcendent justification. The author Dorothy Allison meets these criteria by focusing on women who have been marginalized by totalizing forces and ideas, while simultaneously reminding the reader, through the wide range of women that she portrays and their culpability in her protagonists’’ predicaments, that unlike pure and transcendent heroes, women are real characters and morally complex. Allison insists that humans are burdened with the responsibility of fashioning their own stories, quotidian as they may be, and .while these will never offer t
A. unlikely
B. speculative
C. incontrovertible
D. irrelevant
E. unscientific

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